[CLOSE PRESS]
SELECTED PRESS
1994-2024
2016
Hyperallergic
Setting Out at Apexart
2016
Fresh Art International
Conversations about creativity in the 21st century
2016
Daily Serving
Setting Out at Apexart
2016
Fresh Vue
Setting Out at Apexart
2009
Public Art Review
Taking Off / Media, Technology and Community
2007
WIRED
Inside OPEN HOUSE: Blueprint for the Future
2006
SPACE
Open House Exhibition
2004
Trade and Technical
Energy Shutdown
2004
Wallpaper
Miller Harris Perfumery
2004
Kensington and Chelsea News
Energy Shutdown
2004
Independent Education Today
Energy Shutdown
2004
I.D. International Design Magazine
Kitchen Rogers Design
2004
Architecture04.
The Minotaur, Kielder Forest Park
2004
Trade and Technical
Energy Shutdown
2003
Brutus CASA
Kitchen Rogers Design
2003
FX
Al Ostoura, Sahab Tower, Kuwait
2003
The Independent Magazine
Colour Field
2003
MagazineFrame
Michel Guillon Opticians
2003
Bob 004
Kitchen Rogers Design
2003
The Guardian
Round the Ragged Rocks – Minotaur Labyrinth
2003
FX
Joseph Store, London
2003
St Andrews Citizen
Shona Designs the Future
2003
FRAME
Legends of the Fall, Al Ostoura, Sahab Tower, Kuwait
2002
WALLPAPER
In House / News
2002
ART 4D
Fashioning the City by Kyoko Nakajima
2002
DUTCH
KINESIS
2002
Thailand Art 4D
Fashioning the City by Kyoko Nakajima
2002
FX
Joseph Store
2002
FX
A Moving Experience
2002
CONCORDE the briefing
Kitchen Rogers Design
2002
The Independent Magazine
Colour Field by Albert Hill
2002
Drapers Record
Joseph’s Dream
2002
Composite
A New Creative Force from the UK
2002
AZURE
Designer Identikit by Kelly Rude
2002
BRUTUS CASA NO.35
Kitchen Rogers Design
2001
NOVA
Garçons du Faubourg by Laetitia Labourdette
2001
DOMUS
Responsive Red
2001
I-D
SFX and Shopping by Mark Hopper
2001
PERSO
Comme une Mansion
2001
VOGUE
Rouge Desir by Brigitte Paulino-Neto
2001
AXIS
Kitchen Rogers Design
2001
BRUTUS CASA
Home Offices
2001
MR 8
Comme des Garçons PARIS
2001
FRAME
Comme des Garçons
2001
BRUTUS CASA
Window on the World by Masae Takata
2001
DUTCH
US TRACKING
2001
MR 8
Space from Paris by Sanae Shimizu
2001
FX
International Interior Design Award Winners
2001
4dspace: Interactive Architecture
Kitchen Rogers Design
2000
Amica
BIG ART
2000
BRUTUS CASA
Comme des Garçons, Paris by Kazumi Yamamoto
2000
Building Design
Edgetown
1999
The Scotsman
Space to Learn by Elisabeth Mahoney
1999
BLUEPRINT
Installation Living etc.
1999
Blueprint
Presence Project
1999
BLUEPRINT
Stand and Deliver
1999
Blueprint
What No Flashing Santas?
1999
BLUEPRINT
No Flashing Santas
1999
Vogue
Milan meets Sydney
Select press images from print material.
32 degrees
2022
Art + Bio
PROJECT DESCRIPTION

Nature is the result of billions of years of collapse. All existing forms of life, visible or not, are the result of one big explosion. Likewise, they are the result of having survived one of many mass extinctions. With a resilience to survive and evolve, everything is heading for yet another great extinction, this time, encouraged and accelerated by a single species–humans. Humans have degraded a variety of habitats around the globe, making the lives of both humans and other species catastrophic to the point of extinction. Among many destructive human actions is the abuse of idyllic natural sites used predominantly for technological and biological advancement. One example is Gruinard Island in Scotland, used by the British during World War II as a testing ground for the effects of Anthrax on sheep. Despite this monstrous scenario, nature resisted human pressures in surprising ways thanks to its resilience acquired over 3.8 billion years of evolution. At testing sites, such as Gruinard Island, which became uninhabitable for humans in response to the Anthrax contamination of soil and water, other species have re-established themselves in the new conditions and now inhabit a safe haven. But how long will nature resist the insistent collapse created by us? In 32°C, we examine nature's resilience to collapse by taking samples of soil, water, air and other matter from toxic sites in Rhode Island, United States. This is an area which throughout its history has been a testing ground for a variety of military operations. Prudence, a 14 km2 island and a military graveyard now overgrown by native vegetation and a haven for ticks, became our site of interest. By cultivating microorganisms present in samples within a bespoke incubated environment with Morse code as a platform, the bacteria used this as a stage to communicate its narrative of the landscape. 32 °C is an attempt to create a landscape in which there are no communication boundaries between humans and non-humans; where everything attempts to reestablish itself after a collapse, through messages transmitted by another species. In this landscape the language is being driven by the ecosystem, not the humans.

This project is supported by the Art & Inquiry Grant: Center for Complexity Fourth Annual Symposium “Collapse,” at Rhode Island School of Design. We thank Dillon Foster for his philosophical reflections included in the videowork.

Shona Kitchen + Felipe Shibuya
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